Showing posts with label Mad men. Show all posts
Showing posts with label Mad men. Show all posts

Sunday, March 4, 2018

Parsnip to Parsnip (Mad Men S7) - Show Notes


Laura and Charlotte are excited to wrap up another series on this week's episode: Mad Men! They join the gang on Madison Avenue one last time to discuss Season 7 and review the series as a whole. Laura notes how the ending to Don's story is ambiguous and layered, while lauding Joan's arc from gold-digging secretary to independent business woman. Charlotte shares her happiness with Pete finally getting his life together, and Peggy success with both business and romance (STAN, FTW!). Together the girls discuss the portrayal of the moon landing, Sally's relationship with her parents, and the role of the Vietnam War in the final episodes of the series.

Did Don really manipulate Megan out of her career? What is the true meaning behind the final shot of the legendary "I'd Like to Buy the World a Coke" campaign? And will we ever be able to get the image of Ginsberg's severed nipple out of our heads?? All these subjects and more are discussed on the final Mad Men episode of The Lettuce Podcast!

The Fun & Games segment featured the last ever round of Mad Men Madlibs. Laura challenged Charlotte to rewrite Peggy's iconic Burger Chef pitch. You won't want to miss the hilarious result!

In a tribute to Betty's redemptive arc in Season 7, Laura sipped on a favorite of Betty's: the Lime Gimlet!


Listen to this episode now!

The Lettuce Podcast is available on iTunesStitcher, and Podcast Addict. If you like what you hear and want to be part of the conversation, feel free to leave a comment on this or any blog post. You can also help us reach a wider audience by rating and reviewing The Lettuce Podcast on iTunes or Stitcher. Thanks for listening and for your support!
  
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Don't forget to join us next week for The Lettuce Beets! On the next topic episode of The Lettuce Podcast, Charlotte and Laura will continue their review of the best of 2017 with the year's biggest book: Origin by Dan Brown.

Until then,
Arugalator!

Sunday, November 12, 2017

Man With A Plant (Mad Men S6) - Show Notes



The Lettuce Podcast is back from vacation and visiting their favorite advertising agency. Laura and Charlotte return to AMC's Mad Men to discuss season 6. They chat about Don's alcoholism, Peggy's career changes, and the mysterious Bob Benson. They also discuss various character relationships, how the show portrayed the assassination of Martin Luther King Jr, and so much more. For Fun & Games, the girls test their knowledge of Mad Men ad campaigns and sort their favorite characters into their appropriate Hogwarts Houses.



Listen to this episode now!





The Lettuce Podcast is available on iTunesStitcher, and Podcast Addict. If you like what you hear and want to be part of the conversation, feel free to leave a comment on this or any blog post. You can also help us reach a wider audience by rating and reviewing The Lettuce Podcast on iTunes or Stitcher. Thanks for listening and for your support!
  
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Don't forget to join us next week for The Lettuce Beets. The next topic episode of The Lettuce Podcast will be DC's new film Justice League. Charlotte will moderate this episode and hopes to prove that DC films are just as good as Marvel films!

Until then,
Arugulater!

Sunday, June 25, 2017

Zou Basil Basil (Mad Men S5) - Show Notes


Zou Bisou Bisou, Lettuce Heads! This week on The Lettuce Podcast, Laura and Charlotte continue their journey through Mad Men with Season 5. They welcome guest Andy to the show to chat about the characters, relationships, and 1960's events in this most enthralling season. Laura, as usual, fawns over Joan's storyline and the pivotal moment which changes her character forever. Charlotte notes Peggy's choices to leave SCDP and how the this affects the growth of her and Don's friendship. Andy highlights Don and Megan's Howard Johnson's trip, and explains why it so exemplifies the 1960's. They also discuss the tragedy of Lane Pryce, Betty's body troubles, Paul Kinsey's spiritual awakening, and so much more. How are Megan and Don scoring on the marriage report card? How many times can Pete Campbell get punched in the face before he considers a personality adjustment? And do Sally and Glen like each other or like-like each other? Listen to this week's episode to find out the answers to these burning questions!


For the Fun & Games segments, the hosts and guest play a very challenging round of Kill Marry Pity Date. They also have their best round of Mad Men Mad Libs using the English translation of "Zou Bisou Bisou" for inspiration.

Laura, Charlotte, and Andy each enjoyed a different podtail for this episode. Laura, inspired by Joan's disastrous Welcome Home dinner with Greg, mixed up a Gin Fizz. Charlotte channeled her inner Megan Draper and sipped on some wine. Andy chose the Golden Lasso, a podtail originally crafted for the Wonder Woman episode.

Listen to this episode now!

The Lettuce Podcast is available on iTunesStitcher, Satchel, and Podcast Addict. If you like what you hear and want to be part of the conversation, feel free to leave a comment on this or any blog post. You can also help us reach a wider audience by rating and reviewing The Lettuce Podcast on iTunes or Stitcher. Thanks for listening and for your support!
  
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Don't forget to join us next week for The Lettuce Beets. Are your spidey senses tingling? Because The Lettuce Podcast will be covering the new Spiderman: Homecoming film for their next topic episode!

Until then,
Arugulater! 

Sunday, February 5, 2017

Mad Mustard (Season 4) - Show Notes


Laura and Charlotte are back in the saddle again with Don Draper and the rest of the Sterling Cooper Draper Pryce crew in Season 4 of Mad Men. This time they're discussing the new agency, Don's life as a bachelor, Peggy's ongoing struggles at work, and much more. Laura explains why she feels this season is Pete Campbell's best. Charlotte shares her views on Sally's bad behavior in the wake of her parents' divorce. The girls also compare race and gender issues of the 1960's to today, chat about the sadness of Joan's life, and Lane Pryce's attempts to fit in with American culture. Does Anna's death help strengthen Don and Peggy's relationship? What are Glen's intentions for his friendship with Sally? And who is a worse parent - Don or Betty? All of these questions and so much more are discussed on this week's episode of The Lettuce Podcast!

The girls had an extra special Fun & Games segment as they played Mad Men Bingo during the discussion portion of the show. You can make your own Mad Men Bingo Card and play along here! They also looked to AMC's website for help in determining which Mad Men character they are.



This week's podtail was The Manhattan, a time and location appropriate cocktail. You can mix one for yourself and drink like Roger Sterling!

Listen to this episode now!

The Lettuce Podcast is available on iTunes, Stitcher, Satchel, and Podcast Addict. If you like what you hear and want to be part of the conversation, feel free to leave a comment on this or any blog post. You can also help us reach a wider audience by rating and reviewing The Lettuce Podcast on iTunes or Stitcher. Thanks for listening and for your support!

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Don't forget to join us next week for The Lettuce Beets. On the next topic episode of The Lettuce Podcast, Charlotte will moderate a super sexy discussion about the sequel book and movie everyone is dying to experience: 50 Shades Darker.

Until then,
Arugulater!

Sunday, January 15, 2017

Shut the Door. Have a Seaweed. (Mad Men Season 3)


Surprise, Lettuceheads! We hope you enjoy this special bonus episode about Season 3 of Mad Men. Laura and Charlotte chat about the many characters of the series, Don's most important female relationships, and the many differences between 1960's America and today. They also highlight how the show portrays important events such as Martin Luther King Jr's famous speech and the Kennedy assassination. To close, the girls find out what their Mad Men names are.

NOTE: We apologize for the sound quality issues in this episode, but feel the content is on par with what listeners expect from The Lettuce Podcast. Thank you for your understanding.

Listen to this episode now!

The Lettuce Podcast is available on iTunes, Stitcher, Satchel, and Podcast Addict. If you like what you hear and want to be part of the conversation, feel free to leave a comment on this or any blog post. You can also help us reach a wider audience by rating and reviewing The Lettuce Podcast on iTunes or Stitcher. Thanks for listening and for your support!

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Don't forget to join us for the next topic episode of The Lettuce Podcast. We'll be welcoming Cory from the Three Angry Nerds podcast as our guest to talk about Christopher Nolan's The Dark Knight!

Until then,
Arugulater!

Sunday, July 3, 2016

Meditations in an Empress Tree (Mad Men S2)



This week on The Lettuce Podcast, Laura and Charlotte return to Madison Avenue to review Season 2 of Mad Men. They discuss character arcs, character relationships, and compare culture in the 1960's to today. Laura talks about why she enjoyed Peggy's struggle with faith and her family more than Peggy's struggles at work. Charlotte uses the Wildcard Character slot to talk about one of her favorites: Sal Romano. They also put the character spotlight on Joan, Pete, Betty, and more. While discussing culture differences they break down the now iconic picnic scene, discuss Don's flippant and varied treatment of women, and Paul Kinsey's girlfriend. Is this season a turning point for Joan? Does Bobbie Barrett show the audience what it would be like for Don to date himself? Is Duck Philips literally the worst person on the planet because he abandons his dog? All these topics and more are on the table!


During the Fun & Games segment, Laura couldn't resist the opportunity for Mad Men Madlibs. She uses a plot summary of “The Mountain King” (S2, Ep12) as the inspiration for this silly word game. The hosts also take a quiz to determine who their ideal Mad Men hook up should be. Take the quiz and leave your results in the comment section.



For this week's Podtails, Charlotte was inspired by the Heineken story-line and enjoyed a beer. Laura was inspired by Sally Draper's bar-tending skills and sipped on a Tom Collins.

The Lettuce Podcast is available on iTunes, Stitcher, Satchel, and Podcast Addict. If you like what you hear and want to be part of the conversation, feel free to leave a comment on this or any blog post. You can also help us reach a wider audience by rating and reviewing The Lettuce Podcast on iTunes or Stitcher. Thanks for listening and for your support!
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Don't forget to join us next week for The Lettuce Beets. On the next topic episode of The Lettuce Podcast, Laura and Charlotte will share their favorite hip hop music with each other in a collaborative topic called Hip Hop Double Step!

Listen to this episode now!

Sunday, April 24, 2016

Mad Lettuce (Season 1) - Show Notes

The Lettuce Podcast is going back in time again! This time, Laura and Charlotte head to the NYC in the 1960's to hang out with everyone's favorite advertising agency. They chat about Season 1 of AMC's break-out drama, Mad Men. They also welcome guest Kurtis from the 3 Angry Nerds podcast to the show. Together the discuss the character arcs of the 4 leads, Don Draper's many relationships, social issues in the 1960's, and the difference between life today and 50 years prior. Laura gushes about her favorite character, Joan, but also explains why she didn't really like the character at first. Charlotte shares why she feels connected to Peggy's character. Kurtis points out the unbelievably strange relationship between Betty and 10-year-old Glen Bishop. They all attempt to explain what makes Don such a likeable character despite his many bad qualities. Is Roger Sterling's morality-free character what helps the audience see Don as a hero? How close to women's liberation are the main female characters in the show? Is Pete Campbell literally the worst person ever? All these topics and more are discussed in this week's episode of The Lettuce Podcast! 

The rating section brings another high showing for TLP: an average of 4.25 Chards was awarded to S1 of Mad Men. The Fun & Games segment features the return of Kill, Marry, Pity Date (a favorite game of both TLP and 3 Angry Nerds!). Laura, Charlotte, and Kurtis also take a stab at Alphabet Sentence, the one-word-at-a-time story telling game. This episode's result might be the most ridiculous sentence constructed to date!


 The Lettuce Heads enjoyed 2 Mad Men themed podtails this for episode! Charlotte mixed up a Mai Tai inspired by Rachel Menken's drink order in the premier episode "Smoke Gets In Your Eyes". Laura enjoyed Betty Draper's drink of choice: a lime gimlet. 


The Lettuce Podcast is available on iTunes, Stitcher, Satchel, and Podcast Addict. If you like what you hear and want to be part of the conversation, feel free to leave a comment on this or any blog post. You can also help us reach a wider audience by rating and reviewing The Lettuce Podcast on iTunes or Stitcher. Thanks for listening and for your support! 

Don't forget to check out Kurtis' podcast 3 Angry Nerds! You can look to his excellent podcast for entertainment news, love advice ("Nerds In Love"), and nerd culture through the years ("Back in Time"). 

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Join us next week for another installment of The Lettuce Beets where Laura and Charlotte chat about their lives and current entertainment interests. 

The next topic episode of The Lettuce Podcast will focus on The Twilight Saga. Charlotte and Laura will cover the entire 5 movie series. Get ready for some sparkly vampire action, Lettuce Heads!

Until then,
Arugalater! 

Tuesday, June 16, 2015

Escarole-Back: Mad Men Series Overview (Season 7B)


Here we are nearly a month after the final episode of Mad Men aired and I'm just now getting around to a review. I beg your forgiveness regarding my absence and hope that you understand my explanation: life just got in the way! But now that life has calmed down I'm back and ready to talk Mad Men. I'm not happy that it's over, but I'm satisfied with the way it ended. Even though I think we all hoped that Don would learn and grow personally throughout his cross-country travels, I found it quite appropriate that he ends up back in the advertising world. The whole series is about this guy whose life is steadily falling apart due to his horrible decisions and disregard for most other people. And yet, he always finds a way out of the madness, lands on his feet, and returns to his life as usual. So, that path was a little different for this final season, but he still ended on his feet and went back to the life he knows. Aw, Don, we can always rely on you.

Season 7B had a lot of merits: Peggy and Stan finally finding each other (did anyone else cheer for this??), Joan's experience with office sexism, and the most amazing personal growth from a widely disliked character, Betty.

Episode 13: The Milk and Honey Route
Betty Francis/Draper/Hofstadt is a difficult person. She's emotional, impatient, and deeply troubled. Most of Betty's struggles were based in the fact that she has a hard time expressing herself in a non-confrontational way. Sometimes, her biting tone was necessary, but other times it just made her seem like a brat. So, when she was diagnosed with lung cancer and given about 6 months to live, I think we were all surprised when she handled it with the grace and poise of the Queen. I have never been a huge fan of Betty. Even when she was being horribly abused and oppressed by Don, I still had negative feelings about her character. But I see her in a whole different light now.

Betty is smart. She, though often frustrated by it, understands her place in the world and sees the value of her life. I think she understands that even her worst day would look like a vacation to those less fortunate. Betty is quick to accept her fate and decide to press on with what is left of her life with as much courage and fervor as she can muster. She continues to study psychology and attend her classes. When Henry questions why, she says "Why was I ever doing it?". It was such a clear admission from her that studying was something she did for the sole purpose of satisfying herself. It didn't need to make sense to anyone else. And that was when I understood every choice Betty ever made. The approval of others was not a priority. Once she found her voice, she realized that she could make choices to satisfy her own desires. You go, Betty! 

The flipside of this episode found Don stuck in a no-name town where the people were about as trustworthy as he is. His car breaks down and the town mechanic/motel owner takes his sweet time to get it up and running. While Don waits, he gets roped into repairing several of the motel's belongings (Including a Coke machine! Bet that corner office with a window isn't looking too bad now, huh?), gets robbed by the male maid, and unwillingly attends a Veteran fundraising event. When the money from the fundraiser goes missing, the motel owner and his buddies assume Don stole it and beat his face in with a phonebook. Don who, as far as I could tell, has been charmed by small town life on his road trip quickly realizes that slimy people aren't quarantined in New York City. Though it takes him another episode and a cliff side hippie retreat to get there, I think this is the first instance where Don starts to consider moving back to New York. But before he does, he gives his Cadillac to the maid and sets out to hitchhike or bus the rest of his trip. Don gets a chance to live by the hobo code that so interested him as a child back on the farm. If you're going to choose to continue living the destructive life you've already established, you might as well exhaust all over options before committing, right?

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What are your thoughts about the final episodes of Mad Men? I personally loved Joan's arc for this half season (no surprise, I'm sure) and would love to share thoughts with some Lettuce Heads! What was your favorite storyline? Was anything left in a disappointing place for you? Leave a comment and let me know!

Arugalater!
Laura

Sunday, May 17, 2015

Escarole-Back: Mad Men Series Overview (Season 7A)

 

First of all, I just want to state that I am not a fan of the recent fad with film and television scheduling where the final season/film of a series is divided into two parts. For me, it's just a clever money-making tactic disguised as a way to create more suspense or further the longevity of a brand. If something is ending, just let it end! Or have two seasons. I have a really hard time thinking of the first 7 episodes of Season 7 as being directly related to the second 7 and it's purely because there was so much time between when they aired. They feel very different to me even though the second 7 episode are dependent on the events of the first 7. Oh well. That being said, I found Season 7A a little boring at times with a couple big, high points. Of course, the final scene of the half season in which Bert Cooper returns from the dead in the form of a singing and dancing vision Don has is the biggest. Don just sold out to McCann Ericson in order to keep his job. Bert appears as Don is returning to his office to tell him "The Best Things in Life Are Free". A fun and poignant send-off for the father of the agency and a treat for the viewer to see the great Robert Morse sing and dance! Some other high points: Don & Megan's divorce (and the weird threesome that precedes it), the onset of Ginsberg's mental illness and the self-removal of his nipple, and Bob Benson's proposal to Joan in which she would be his beard. For me, the champion episode of the season puts SC&P (the new agency name upon which all the partners finally agree after the merger) in the position it most feared: forced acceptance of change, technology, and the future.

Episode 4: "The Monolith"
A new computer is installed in the office making everyone except Harry Crane and Jim Cutler nervous about the effect it will have on their jobs. The creative team feels particularly bitter as the computer takes the place of the lounge they used for brainstorming and weed smoking. One of the copywriters, Ginsberg, is extremely hurt by the elimination of the lounge and goes to great lengths to try to save the couch. The office support staff, mainly secretaries, worry that the computer will render their jobs useless and result in firings. The computer is a symbol of fear of change. Most people claim they don't understand the need for it and fear it will ruin the office dynamic. The installation of the computer makes the office into a literal and figurative construction zone. People flinch every time they hear or see a tool. Are they hearing the sound of their job being cut from the list of office necessities? Some of the older guys in the office, mainly Roger and Don, fear the computer because they fear things that are new and young (unless they wear a mini-skirt, ba-dum-bum), but Roger seems to have some semblance of understanding the need to accept technology. Don, like everyone else, just sees this as a way to kick him out.

The yin to the yang of technological advancement comes in the form of Roger's daughter, Margaret. Or should I say Marigold? Roger's ex-wife, Mona, comes to tell him that Margaret has run away to a hippie commune in upstate New York. It's his job to go up there and get her back. Roger plays this as if he's trying to romance a client. He shows up and plays along, smoking blunts and sleeping in the run-down house with everyone. In the morning, he expects these gestures to have changed Margaret/Marigold's mind, but she's staying. Roger is rightfully frustrated that she is abandoning her son and husband. When she fires back at him that she's bitter from a childhood of being ignored by both her parents and city dwelling only makes her feel susceptible to repeating it for her son, Roger understands that he has no power to change her decision. She doesn't see that her abandonment of Ellery is equal if not worse than lack of presence her parents had. Roger walks away from the commune, mud splattered all over his suit, presumably never to see Margaret again. Perhaps Roger is seeing a part of himself in his daughter he never considered: like Roger, she's doing what she wants to do without much concern for the way it might affect those who love her. If only he would walk away from that with a lesson about his own character.

Back at the office, Peggy is put in charge of the new Burger Chef campaign and instructed to include Don as one of her team members. She immediately realizes that this is a set up by new Creative Director, Lou Avery, to watch both her and Don fail. It's a tough haul. Don's back at work, but his status is even lower than that of a junior copywriter. He's been thrown out of his corner office and is shacking up in Lane Pryce's old office (also the site of his suicide). When Peggy asks him to join in on the Burger Chef campaign he assumes it is because of his expertise as an ad maker. He is knocked down about 100 pegs when she gives him the assignment to write 25 tag lines. Don thinks this is some real bullshit; a job for an entry-level 20 year old. Feeling angry and degraded, he breaks into Roger's office and steals a bottle of liquor. And the audience at home screamed "NOOOO!". Don's not supposed to drink in the office because it makes him irrational. Take whatever you biggest fail due to alcohol is and multiply it by 20. But this is so true to character. If there is a chance that Don Draper can dig himself further into the rabbit hole, he's going to take it. This was hard to watch because all any Mad Men fan wants is for Don to get better. Luckily, Freddy Rumsen (a former Sterling-Cooper employee who got fired for a drunken mishap in front of a client and has now gone through AA) is a generous man. Don calls him looking to go to the Mets game and Freddy immediately realizes what's going on. He manages to get Don out of the office without anyone noticing his shiny, bloated face and saves Don his job. Freddy deserves all of the money in Don's bank account, man.

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T-minute one hour until the final episode of Mad Men ever. What were your expectations going in and were they satisfied? Are you happy with the ending? Join me next week for my final Escarole-back about Season 7B

Arugalater!
-Laura

Saturday, May 16, 2015

Escarole-back: Mad Men Series Overview (Season 6)


The penultimate(ish) season! Season 6 brought a fiercely unstable Don as his happiness with Megan fades (leading to his affair with his neighbor Sylvia) and his dependence on alcohol grows. As always, he buries himself in his work in order to avoid his feelings and there's plenty to do at SCDP! A company merger with Cutler, Gleason, and Chaough (the firm Peggy left for last season) leaves both companies struggling to find their place. Pete and Trudy's marriage finally dissolves after she discovers an affair he's having with their neighbor. These Madison Avenue boys really don't know how to keep their affairs in order. Pun intended. By the end of the season, Don repeatedly relives memories from his childhood when his family ran and lived in a whorehouse. This leads to a devastating pitch to Hershey's chocolate that earns him a leave of absence (i.e. a polite firing) from the agency.

Episode 6: "For Immediate Release"
This is a pivotal episode in this season in the most true sense of the word. At the beginning of this episode, the agency was moving in a specific direction, but by the end it is literally a whole new agency. The availability of securing Chevy causes Don to cut ties with Jaguar. Joan is furious as her tryst with sleazy Herb Rennet is now meaningless. While waiting to pitch for Chevy, the boys from SCDP run into the boys from CGC. They both realize that each agency is too small to tackle such a high profile client, but together they have enough firepower to have a real shot at the business. They agree to merge and win the account. Peggy is then given the uncomfortable task of drafting a press release to announce the merger of her current and former employers. 

Just last season, Joan was heralding Don for being a stand-up guy. Now she's as angry with him as she was with Greg when he announced his plan to return to Vietnam. Maybe even more. Joan's arranged date with Rennet helped secure Jaguar for the agency and also cost her nearly all of her dignity. What was left of her dignity was brutally erased when Don announced to the office that Jaguar was cut. Not only is she furious for Don so casually tossing out the only business Joan has ever brought in (however immoral the method), but he's also ruining the planned IPO that she, Bert Cooper, and Pete had secured with Jaguar. Joan just lost out on a ton of money. Don didn't know about the IPO, but also isn't sorry after he finds out. Joan has a right to be pissed and she knows it. This, like any other time she's been wronged, won't be forgotten any time soon.

Outside of the dealings with GM & Chevy, there is an uncomfortable meeting between Pete and his father-in-law, who is played by Joe O'Conner (Clarissa's dad from Clarissa Explains it All!). They run into each other at a brothel. Pete assumes the meeting will go unmentioned and therefore is a non-issue. After all, in order for either party to rat on the other, one first has to admit they were in a whorehouse. Foolish Pete! Just because Tom isn't going to rat you out to Trudy doesn't mean he can't screw you over otherwise. Soon after this Tom fires SCDP as the advertising agency for Clearasil, the company for which he works. I'm sure the divorce Pete and Trudy are going through is a contributing factor to this decision as well. Pete attempts to retaliate by telling Trudy about running in to her father. She's disgusted with Pete and doesn't believe him. Oh Pete, you slimy jerk.

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The final episode of Mad Men airs tomorrow night! I am equal parts excited and sad. This has become one of my favorite television shows of all time and leaving it behind is hard. At least there are such wonderful things as Netflix and DVD/Blu-ray sets. Check back tomorrow for another (back-to-back) Escarole-back for Season 7A!

Arugalater!
Laura

Friday, May 8, 2015

Escarole-Back: Mad Men Series Overview (Season 5)


Season 5! My favorite season of Mad Men! This was the season for which viewers waited nearly 2 years as contracts were negotiated. Though I hated waiting for so long, it ended up being worth my patience. There are so many great storylines and moments in this season. A couple standouts: Megan's "Zou Bisou Bisou", Betty's cancer scare and weight issues, Lane's issue with back taxes and (spoiler alert!) eventual suicide, and Joan's divorce. Don also tells Sally the truth about his identity, past, and Anna. It's a great season that at the same time furthers the developments of the characters and continues to draw them together in interesting ways. My favorite episode from the season features humongous development for two of my favorite characters.

Episode 11: "The Other Woman" 
Joan, Joan, Joan. This was a rough season for Joan. A quick word about her divorce before getting into the episode proper: it's already been well established that Greg sucks. He treats his wife poorly and lies to her. Typical Don Draper stuff, right? But it reaches a whole new level when he commits to a second tour of duty in Vietnam before even coming home from the first. And before consulting with Joan about this choice. This leaves her feeling abandoned with an infant and leads to their divorce, which Greg serves. I will point out- Joan isn't completely innocent in their relationship. After all, the son she is raising is actually Roger's child and Greg is none the wiser. Maybe this is karma?

This episode is the worst of the worst for Joan. A bigwig at Jaguar named Herb (the most appropriate name for a perv) tells Pete and Ken in no uncertain terms that SCDP will lose Jaguar's business unless they can arrange a night for him with Joan. Rightfully, Joan is completely disgusted and offended by the proposal. After a series of arguments and negotiations, Lane uses financial stability for her and her son as a way to convince her to do the deed in exchange for a 5% partnership in the company. He's also looking to increase the financial gains of SCDP in order to deal with his tax problems. And just like that, Joan is literally whored out for Sterling Cooper Draper Pryce. Her evening with Herb seems like a nightmare. He's every bit as gross as you might imagine he'd be.

Don arrives at her apartment to convince her not to go through with it. He's easily the most stand-up and respectable he's ever been as he says he cares more about her than the business. He doesn't want to do business with people that terrible and she shouldn't want to either. Joan is touched by Don's integrity and thanks him for being "one of the good ones", but neglects to tell him she's already slept with Herb. It's so touching to see Don caring for someone so much, as he has a tendency to be incredibly selfish. He's rightfully surprised and disappointed when Joan enters the office for the partners meeting the next morning; he knows that Joan degraded herself. And she does, too. Although it was ultimately her decision to accept the proposal, she was bamboozled by a man to accept the deal. Lane tricked her into thinking he was helping her when he really was trying to help himself. Men in the 1960's, am I right?

What little was left of Joan's dignity is destroyed and her character extremely degraded. The sex appeal she once used smartly as a great asset to both her professional and personal lives has become a currency. It's sad. It's sad because at the same time it both is and is not her fault.

Also in this episode is great development for Peggy. She spends this entire episode basically doing Don's job for him while he deals with all matters concerning Jaguar. Even though Don leaves her "in charge" he steamrolls all of her ideas and insults her work. Oh yeah, and he throws a fistfull of money in her face when she points out he's treating her unfairly. Up until now, Peggy has been willing to take Don's mistreatment because he was instrumental in career development and also helped dig her out the hole she was in after giving birth. All of that seems to have worn off, though. She takes a meeting with Ted Chaough from CGC and accepts a job with his agency. The scene where she tells Don that she's leaving for another agency is just as heartbreaking as watching Joan lose her integrity earlier in the episode. Fortunately, it leaves the viewer with a better feeling. Although Peggy was angry at Don's treatment earlier, she understands that none of this would have been possible had he not taken a chance on her way back when. Don is understandably sad about her departure and does try to counteroffer with a larger salary.  Ultimately, they both understand that this isn't personal. It's a sad, but touching goodbye for them.

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What are your favorite moments from this season? Do you think it's the best one? See you next week for Season 6!

Arugalater!
Laura

Monday, May 4, 2015

Escarole-Back: Mad Men Series Overview (Season 4)


For the last Escarole-back, I passed on reviewing the season's most iconic episode. I did this because I felt that episode had been combed through enough times already and thought a different episode that I love equally would be a better choice. For Season 4, I almost regret to say, I will not be following suit. "The Suitcase" is easily the most widely loved episode in this season. Much like "Shut the Door. Have a Seat.", it has been examined thoroughly and all of its wonder has been discussed. But I can't help myself. I love this episode so much that I just can't pass up the opportunity to comment on it publicly. 

Episode 7: "The Suitcase"
This episode centers around Don and Peggy as they attempt to create a campaign for Samsonite luggage. Don and Peggy's relationship is one of the most beloved aspects of Mad Men. They go through so many ups and downs and this episode might encapsulate their relationship perfectly. In an effort to ignore his heartache over Anna Draper's impending death, Don throws himself headfirst into work. He drags Peggy along with him, who remains by his side even though she is increasingly late for her birthday dinner with her boyfriend. They work through the night and experience several changes in how they view each other.

At first, Peggy is irritated with Don for the aforementioned birthday reasons. Her anger increases as they argue about the Glo-Coat campaign for which Don recently won an award. Their anger with each other culminates when Peggy's boyfriend breaks up with her over the phone because she is more dedicated to work than him. Peggy confronts Don about the way she is treated at work: "You never say "Thank You"!" she screams, to which Don replies "That's what the money is for." I hear you, Peggy! All anyone wants in a job setting is to feel they are valued. Don assumes wages express value, but there is so much more. 

A great and funny scene brings our two heroes back together. Don finds a recording of Roger's memoir and the two laugh over the scandalous information it holds. All I have to say about it is... Miss Blakenship? Who knew!? The way Don and Peggy laugh over the tape is extremely sweet. I think the fact that they can scream at each other one moment and laugh with each other the next shows us that their relationship is special and familial. Both Peggy and Don feel that they have been exiled by their families. They can relate to one another. They find comfort in one another. Their newly restored bond becomes even stronger while they are out to dinner. They discuss the child that Peggy gave away in Season 1 and she confesses that her mother assumes Don is the father as he is the only person who visited her in the hospital. Peggy assures Don that she knows who the real father is, but doesn't tell him it's Pete. Some things are better left unsaid.

Upon the return to the office, there is an altercation with Duck Philips who is accusing Don of stealing Peggy away (In a professional sense. Although Peggy and Duck were doin' it for a while in Season 3). Duck claims he and Peggy were in love, but also calls her a whore (?), which results in an underwhelming fistfight. After Duck has gone, it's Peggy's opportunity to comfort Don. He falls asleep in her lap and dreams of Anna passing through his office with a suitcase. When he wakes up, he knows that Anna is dead. Things get really heavy as he sobs to Peggy, telling her of the great person that was Anna Draper. Not only do we weep along with Don at the loss of the only woman who has ever truly loved him, but our hearts surge as the torch of unconditional love for Don is passed to Peggy. 

Sure, Peggy and Don will go through some more rough spots over the rest of the series. But this episode solidified their relationship for me. Peggy is Don's new support system. She may not have as congenial a personality as Anna, but she does see the good in Don. Even in the closing moments where Don presents his idea for the Samsonite Ad (a reference to the Ali v. Liston boxing match that serves as a backdrop for the whole episode) and Peggy isn't enthused, we see her back down to offer support to a person who is truly in need of it. They may not always see eye to eye, but they will always offer what the other is truly in need of when necessary. They are family.

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Only two more episodes of Mad Men are left! Can you believe it? I'm curious about where Don and Peggy will end up in their relationship. What do you think?

-Laura

Thursday, April 30, 2015

Escarole-Back: Mad Men Series Overview (Season 3)


When people think about the best moments or episodes of Season 3, usually the finale episode comes to mind. And I agree. "Shut the Door. Have A Seat." is a difficult episode to top. The boys from Sterling-Cooper give their British owners a giant middle finger by screwing them out of their deal to sell the agency. They grab a handful of SC employees with them and paste a business together in a hotel room to form Sterling Cooper Draper Pryce. It's a riveting hour of television, but almost too easy to choose as a favorite episode. Every Mad Men fan has combed through the details of this episode to highlight everything that makes is so great. So, I'd prefer to talk about a different episode from the season.

Episode 5: "The Fog"
There is a specific scene in this episode that I love and could watch over and over: the hallucinatory dream that Betty has while giving birth to Gene. It's so beautifully shot: a perfect juxtaposition of vivid colors and imagery paired with a dark and cold narrative. What does it mean? Is this when Betty comes to terms with the fact that she and Don are truly over- is it the exact moment she falls out of love with him? Does she realize that the life she thought she always wanted is actually torture? Or is she just super doped up? All the while, Don is out in the waiting room forming a superficial relationship with a prison guard who is about to have his first child. They both bond over the thought of becoming better men in order to properly raise their children. But we never really see Don do this and I suspect the prison guard doesn't really do it either. As they're both leaving the hospital after their new sons have been born, the prison guard gives Don the stink eye. Don is confused by this, but I think we as viewers knew what it meant. Their kinship was fake; a product of circumstance. As were their promises to be better men.

Back at Sterling Cooper, both Peggy and Pete receive job offers from a competing agency at the same lunch. Pete is insulted that he didn't get his own private offer and immediately declines. Peggy feels an allegiance to Don, who has been a pillar in both her professional and personal development. Feeling confident about her ability as a creative ad agent, she attempts to get a raise from Don. She timidly, but firmly specifies that she desires a raise that would equate her pay with all of the men on the creative team (you go, girl!). Don plainly tells her "It's not going to happen." Whether or not it has to do with her sex, he doesn't say. His reasoning is due to the agency operating on a lean budget; Lane Pryce is pressuring the entire company for its over-use of office supplies as it is.

Lastly, we meet Miss Farrell (Sally Draper's teacher) in this episode. She becomes a major fixture in the show for the second half of Season 3, so her introduction is important. Her role in this particular episode is small. She appears in the beginning during a parent-teacher conference, where she upsets the Drapers by saying that Sally's bad behavior is the symptom of her grief over Grandpa Gene's death. She later calls the Draper household and apologizes to Don for overreacting to the situation. Their interactions are small and seemingly unimportant at this time, but they actually plant the seeds for a much larger plot point later in the season.

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What do you make of Betty's dream? What would you have done in Peggy's situation- take the job or stay loyal to Don? Come on back in a couple days to review an episode from Season 4!

-Laura

Wednesday, April 22, 2015

Escarole-Back: Mad Men Series Overview (Season 2)




Season 2 has a lot of champion moments. This is the season where we meet Jimmy and Bobbie Barrett who at the same time make a lot of money and a lot of trouble for the boys at Sterling-Cooper, particularly Don. It's the beginning of the end for Don and Betty as Betty begins to see her husband for who he truly is. Peggy begins her transformation into Independent Woman Peggy (The shoes on her feet? She bought 'em!) while combating the judgement of a young priest. She also gives Pete the ultimate denial when he says he loves her and she says that she gave birth to his child and gave it away. Joan, the office bombshell, goes through a series of ups and downs during this season, which brings me to my favorite Season 2 episode:

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Season 2: Episode 12: 
"The Mountain King"

Joan is my favorite Mad Men character, so episodes that feature major events in her development tend to stand out for me. A lot of things happen to our girl in Season 2 that are worth mentioning. Things are looking up for Joan as she celebrates her engagement to Greg. But the presence of Jane, Don's new secretary who is as pretty as she is young, leaves Joan feeling threatened and frustrated. When she volunteers to help Harry Crane analyze television scripts to decide the most appropriate times to air commercial ads, Joan starts to feel important and talented. Just as she's starting to realize that there is more for her to do in the world of advertising than keep the office liquor supply full, Harry pulls all responsibility from her. Joan's character arc reaches its climax in this episode, though.

This is the famous episode where Joan brings her new fiance to work to show him off. Greg, a perennial asshat, rapes her in Don's office. The usually shark-tongued, no bullshit, tells it like it is Joan becomes powerless in a matter of seconds and makes the most heartbreaking dead expression as she's forced on to the floor. Christina Hendricks' performance is perfection in this episode. Over the course of the series, we see Joan transform from a gold-digging secretary to a fiercely independent and competent business woman. Although she suffers in this episode, I find it to be one of the most pivotal points in her growth. As the series continues, we come to find that Joan never forgets the incident nor does she seem to forgive Greg for it. Sadly, at this point in her development, Joan still harbors enough of the 1950's-style view of women to stay with Greg and go through with their marriage.
 
The other stand-out point in this episode is that it is the first time we meet Anna Draper! Anna, the widow of the real Don Draper, is a kind soul. She knows Dick Whitman, sees his faults, but loves him anyway. Any person who can forgive someone that literally stole their dead spouse's identity is a saint. We get to learn a lot about fake Don Draper's life before Betty and Madison Avenue. It helps remind us that he's just chasing the American dream like anyone else is. We remember that there are reasons to like Don and root for him. If Anna - the person he may have wronged the most in his life - can love him, why can't we?

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Who is your favorite Mad Men character and what are some of their defining episodes in your opinion? Also, what do you think of Joan?

I'll see you in a few days for Season 3!

-Laura

Saturday, April 18, 2015

Escarole-back: Mad Men Series Overview (Season 1)



There are 5 episodes remaining in the final half season of Mad Men. I, for one, am not yet ready to accept that I will soon be living in a world without new Mad Men episodes. I will miss my friends on Madison Avenue dearly. With that in mind, I decided to write a series of posts dedicated to Mad Men. Over the next 5 or so weeks, as the series wraps up, I'll review/recap my favorite episode from each season. So, without any further ado...

Season 1
Episode 7: "Red in the Face"
There are many episodes in the first season of Mad Men to cite as the best or a favorite, but this one edges above the rest for me. First, I love the cunning way that Don gets back at Roger for making a pass at Betty even if it is a zero-to-sixty kind of reaction. The whole progression of the event from the minute Don starts talking to the elevator operator, Hollis, to the final blow when Roger vomits up 2 dozen oysters in front of a client makes for some seriously satisfying television. This might be the first instance in the series where we learn that you don't screw with Don. This also illustrates the relationship that we as viewers form with Don perfectly. Don's a bad guy: he treats his wife poorly (and cheats on her), ignores his kids unless he can be the good guy, and lies to everyone. But for some reason, we all root for him. And even though we know that he's no good, when he gets back at Roger you kind of want to pump your first in the air at his win.

Speaking of Betty, she has one really interesting moment in this episode. Betty became about a thousand times more interesting to me once we started to see how broken she is. Always beautiful and perfectly dressed, when Betty's cracks start to show - oh boy! It's kind of amazing. Admittedly, Episode 9 ("Shoot") is when we really see that she does need that psychiatric treatment she's getting. But the interaction with Helen Bishop at the market is like a little preview for what's to come. Helen Bishop isn't wrong; Betty giving a lock of her hair to a 9 year old boy is weird and inappropriate. So, what does Betty do upon receiving this information? Something even more weird and inappropriate: slaps Helen Bishop right across her face. I guess you don't screw with Betty either.

Finally, there's the incident involving one Pete Campbell, a Mrs. Trudy Campbell, and a chip-and-dip. It was already established that Pete is a sleazeball when he seduced Peggy right before his wedding and then treated her like yesterday's moldy bread. I guess exchanging a wedding gift for a rifle behind your wife's back all while attempting to bed the girl behind the counter so she'll help you is just business as usual for Pete Campbell.

So, that's all for this installment of the Mad Men Escarole-back! I'll be posting my favorite episode from Season 2 in the next few days. Until then, what is your opinion of this episode? Is it a stand out for you or do you have a different favorite episode? 

-Laura