Wednesday, May 27, 2015

Kill, Marry, Pity Date - Harry Potter and the Prisoner of Azkaban Edition

Who would you kill? Marry? Pity date? Play along with us! Here are all of our choices from our Harry Potter and the Prisoner of Lettuce episode!


Tori's Choices
Kill: Boy 1, Prongs
Marry: Boy 2, Moony
Pity Date: Girl 1, Padfoot


Charlotte's Choices
Kill: Draco Malfoy, Professor Burbage
Marry: Cedric Diggory, Professor Trelawney
Pity Date: Cho Chang, Professor Vector


Laura's Choices
Kill: Madame Pomfrey, Gregory Goyle
Marry: Sirius Black, Draco Malfoy
Pity Date: Professor Trelawney, Vincent Crabbe

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Who would you choose? Do you have three characters you would like to pose to Tori, Charlotte, or Laura? Leave a comment and lettuce know!

Arugalater! 

Wednesday, May 20, 2015

Harry Potter and the Prisoner of Lettuce - Show Notes


Check your Marauder's Map and make sure the coast is clear! In this episode of The Lettuce Podcast Tori, Charlotte, and Laura return to the world of Harry Potter to discuss its third book. Harry Potter and the Prisoner of Azkaban presents new characters and new classes in addition to raising many questions. Tensions are high as Harry and his friends attempt to learn about and protect themselves from the famed killer Sirius Black. Join the girls as they discuss new Hogwarts professors Trelawney, Lupin, and Hagrid. They also share their views on the first fight between our three heroes Harry, Ron, and Hermione. Is Snape's prejudice against Lupin justified? What was Dumbledore's role in Sirius' trial? Does the Time Turner work while you're sleeping? 

Important questions are asked and answered as the hosts use The Art of Divination: Practices from Around the World to try their hand at seeing the future. Tori, Charlotte, and Laura then challenge each other in their favorite game: Kill, Marry, Pity Date! 





This episode's podtail and podsnack were Wolfsbane Potion (recipe here) and Golden Snitch Cakeballs. For the link and some tips on how to make them both delicious and beautiful check out Tori's blog post.

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The next episode of The Lettuce Podcast will continue the Harry Potter series. Laura hosts her favorite book from the series: Harry Potter and the Goblet of Fire!

Sunday, May 17, 2015

Escarole-Back: Mad Men Series Overview (Season 7A)

 

First of all, I just want to state that I am not a fan of the recent fad with film and television scheduling where the final season/film of a series is divided into two parts. For me, it's just a clever money-making tactic disguised as a way to create more suspense or further the longevity of a brand. If something is ending, just let it end! Or have two seasons. I have a really hard time thinking of the first 7 episodes of Season 7 as being directly related to the second 7 and it's purely because there was so much time between when they aired. They feel very different to me even though the second 7 episode are dependent on the events of the first 7. Oh well. That being said, I found Season 7A a little boring at times with a couple big, high points. Of course, the final scene of the half season in which Bert Cooper returns from the dead in the form of a singing and dancing vision Don has is the biggest. Don just sold out to McCann Ericson in order to keep his job. Bert appears as Don is returning to his office to tell him "The Best Things in Life Are Free". A fun and poignant send-off for the father of the agency and a treat for the viewer to see the great Robert Morse sing and dance! Some other high points: Don & Megan's divorce (and the weird threesome that precedes it), the onset of Ginsberg's mental illness and the self-removal of his nipple, and Bob Benson's proposal to Joan in which she would be his beard. For me, the champion episode of the season puts SC&P (the new agency name upon which all the partners finally agree after the merger) in the position it most feared: forced acceptance of change, technology, and the future.

Episode 4: "The Monolith"
A new computer is installed in the office making everyone except Harry Crane and Jim Cutler nervous about the effect it will have on their jobs. The creative team feels particularly bitter as the computer takes the place of the lounge they used for brainstorming and weed smoking. One of the copywriters, Ginsberg, is extremely hurt by the elimination of the lounge and goes to great lengths to try to save the couch. The office support staff, mainly secretaries, worry that the computer will render their jobs useless and result in firings. The computer is a symbol of fear of change. Most people claim they don't understand the need for it and fear it will ruin the office dynamic. The installation of the computer makes the office into a literal and figurative construction zone. People flinch every time they hear or see a tool. Are they hearing the sound of their job being cut from the list of office necessities? Some of the older guys in the office, mainly Roger and Don, fear the computer because they fear things that are new and young (unless they wear a mini-skirt, ba-dum-bum), but Roger seems to have some semblance of understanding the need to accept technology. Don, like everyone else, just sees this as a way to kick him out.

The yin to the yang of technological advancement comes in the form of Roger's daughter, Margaret. Or should I say Marigold? Roger's ex-wife, Mona, comes to tell him that Margaret has run away to a hippie commune in upstate New York. It's his job to go up there and get her back. Roger plays this as if he's trying to romance a client. He shows up and plays along, smoking blunts and sleeping in the run-down house with everyone. In the morning, he expects these gestures to have changed Margaret/Marigold's mind, but she's staying. Roger is rightfully frustrated that she is abandoning her son and husband. When she fires back at him that she's bitter from a childhood of being ignored by both her parents and city dwelling only makes her feel susceptible to repeating it for her son, Roger understands that he has no power to change her decision. She doesn't see that her abandonment of Ellery is equal if not worse than lack of presence her parents had. Roger walks away from the commune, mud splattered all over his suit, presumably never to see Margaret again. Perhaps Roger is seeing a part of himself in his daughter he never considered: like Roger, she's doing what she wants to do without much concern for the way it might affect those who love her. If only he would walk away from that with a lesson about his own character.

Back at the office, Peggy is put in charge of the new Burger Chef campaign and instructed to include Don as one of her team members. She immediately realizes that this is a set up by new Creative Director, Lou Avery, to watch both her and Don fail. It's a tough haul. Don's back at work, but his status is even lower than that of a junior copywriter. He's been thrown out of his corner office and is shacking up in Lane Pryce's old office (also the site of his suicide). When Peggy asks him to join in on the Burger Chef campaign he assumes it is because of his expertise as an ad maker. He is knocked down about 100 pegs when she gives him the assignment to write 25 tag lines. Don thinks this is some real bullshit; a job for an entry-level 20 year old. Feeling angry and degraded, he breaks into Roger's office and steals a bottle of liquor. And the audience at home screamed "NOOOO!". Don's not supposed to drink in the office because it makes him irrational. Take whatever you biggest fail due to alcohol is and multiply it by 20. But this is so true to character. If there is a chance that Don Draper can dig himself further into the rabbit hole, he's going to take it. This was hard to watch because all any Mad Men fan wants is for Don to get better. Luckily, Freddy Rumsen (a former Sterling-Cooper employee who got fired for a drunken mishap in front of a client and has now gone through AA) is a generous man. Don calls him looking to go to the Mets game and Freddy immediately realizes what's going on. He manages to get Don out of the office without anyone noticing his shiny, bloated face and saves Don his job. Freddy deserves all of the money in Don's bank account, man.

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T-minute one hour until the final episode of Mad Men ever. What were your expectations going in and were they satisfied? Are you happy with the ending? Join me next week for my final Escarole-back about Season 7B

Arugalater!
-Laura

Saturday, May 16, 2015

Escarole-back: Mad Men Series Overview (Season 6)


The penultimate(ish) season! Season 6 brought a fiercely unstable Don as his happiness with Megan fades (leading to his affair with his neighbor Sylvia) and his dependence on alcohol grows. As always, he buries himself in his work in order to avoid his feelings and there's plenty to do at SCDP! A company merger with Cutler, Gleason, and Chaough (the firm Peggy left for last season) leaves both companies struggling to find their place. Pete and Trudy's marriage finally dissolves after she discovers an affair he's having with their neighbor. These Madison Avenue boys really don't know how to keep their affairs in order. Pun intended. By the end of the season, Don repeatedly relives memories from his childhood when his family ran and lived in a whorehouse. This leads to a devastating pitch to Hershey's chocolate that earns him a leave of absence (i.e. a polite firing) from the agency.

Episode 6: "For Immediate Release"
This is a pivotal episode in this season in the most true sense of the word. At the beginning of this episode, the agency was moving in a specific direction, but by the end it is literally a whole new agency. The availability of securing Chevy causes Don to cut ties with Jaguar. Joan is furious as her tryst with sleazy Herb Rennet is now meaningless. While waiting to pitch for Chevy, the boys from SCDP run into the boys from CGC. They both realize that each agency is too small to tackle such a high profile client, but together they have enough firepower to have a real shot at the business. They agree to merge and win the account. Peggy is then given the uncomfortable task of drafting a press release to announce the merger of her current and former employers. 

Just last season, Joan was heralding Don for being a stand-up guy. Now she's as angry with him as she was with Greg when he announced his plan to return to Vietnam. Maybe even more. Joan's arranged date with Rennet helped secure Jaguar for the agency and also cost her nearly all of her dignity. What was left of her dignity was brutally erased when Don announced to the office that Jaguar was cut. Not only is she furious for Don so casually tossing out the only business Joan has ever brought in (however immoral the method), but he's also ruining the planned IPO that she, Bert Cooper, and Pete had secured with Jaguar. Joan just lost out on a ton of money. Don didn't know about the IPO, but also isn't sorry after he finds out. Joan has a right to be pissed and she knows it. This, like any other time she's been wronged, won't be forgotten any time soon.

Outside of the dealings with GM & Chevy, there is an uncomfortable meeting between Pete and his father-in-law, who is played by Joe O'Conner (Clarissa's dad from Clarissa Explains it All!). They run into each other at a brothel. Pete assumes the meeting will go unmentioned and therefore is a non-issue. After all, in order for either party to rat on the other, one first has to admit they were in a whorehouse. Foolish Pete! Just because Tom isn't going to rat you out to Trudy doesn't mean he can't screw you over otherwise. Soon after this Tom fires SCDP as the advertising agency for Clearasil, the company for which he works. I'm sure the divorce Pete and Trudy are going through is a contributing factor to this decision as well. Pete attempts to retaliate by telling Trudy about running in to her father. She's disgusted with Pete and doesn't believe him. Oh Pete, you slimy jerk.

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The final episode of Mad Men airs tomorrow night! I am equal parts excited and sad. This has become one of my favorite television shows of all time and leaving it behind is hard. At least there are such wonderful things as Netflix and DVD/Blu-ray sets. Check back tomorrow for another (back-to-back) Escarole-back for Season 7A!

Arugalater!
Laura

Friday, May 15, 2015

Lettuce Wraps- Golden Snitches

Snitches Galore
    So for today's podcast, I decided to try one of the recipes we have pinned on Pinterest. After looking through my options, I decided that I wanted to try to make the golden snitch cake pops. I bake regularly, so these seemed like they would be a challenge, while being familiar enough to be doable. Between my grocery store and my crafts store, I soon had all of the materials. One thing I will say up top is that if I were to make these again, I would bake the cake first, so that it had enough time to cool. The wings are by far the most time consuming part, and if my cake had been cooling while I made them, the whole process would have been much more efficient.


         Here you see the wings that I made out of gum paste. Since I am not an artist, I used graph paper to draw the wings, and then traced that onto card-stock to make my stencil. This was relatively simple, but since I was tracing each one individually, they definitely took awhile. 


        Here we are a little further into the process. The cake balls were made using a butterbeer cupcake recipe and the recipe for a butterscotch frosting. The two were combined to make the balls form, and then they were frozen. I melted chocolate in the meantime, and then used the chocolate to secure the lollipop sticks into the cakes. 


         Lastly I coated the cakes in the melted chocolate and let it harden. The last step was to secure the wings to the pops, again with the chocolate. These are the best of the best, and my roommate and I now have all of the lesser efforts to look forward to. They went over well at the recording, and fit well with our return to the Harry Potter series. Overall this was fun to make, and I would do it again, especially without the wings. 



Tuesday, May 12, 2015

Game of Thrones Vlog with Charlotte

Hello Lettuce Heads!! Sorry that I'm behind on my vlog. I've been having technical difficulties, but I think overall I've hashed them out. Here is 'Kill the Boy' Episode 5 of Season 5. Enjoy!

Lettuce Field Trip

An Evening with Brad Ellis


        Last week, Charlotte and I had the opportunity to go see Brad Ellis perform with the UMBC Wind Ensemble. For those of you who don't recognize the name, Brad played Brad the piano guy and was the accompanist for Glee, both on and off screen. At the concert we got to see him perform delovely and a song about the joys of Burbank. He also accompanied two of the vocalists from the college, one of whom sang Nothing from A Chorus Line. Following that was by far the funniest piece of the night, the same events told from Mr. Carp's point of view. A Chorus Line was one of my favorite shows in high school, and seeing the perspective of a teacher who has a student who refuses to participate in class was hilarious. Next was a piece composed by Brad himself, but before I talk about that, I want to mention the final piece, Rhapsody in Blue. This is a band standard, but Brad played it expertly. It was truly a joy to see how talented he is on piano, in a piece that really allowed him to show off. 
               
          The most enjoyable part of the evening was the world premiere of McMurphy's Reeder, for Oboe, Piano and Wind Ensemble, composed by Brad. I am an oboe player myself, so getting to see this was extra special. One of the things I desperately wanted in college was to play a jazzy oboe solo, since I think the expressiveness of the instrument lends itself well to the genre. The minute Trevor, the soloist, started playing blues and swing rhythms, I was ecstatic. The piece was so much fun to listen to, as well as really showing off the oboe's range. At this point I need to give a shout out to Trevor, who currently plays with the President's Own, who's masterful performance truly brought the piece to life. After the performance, we got to go backstage and meet Brad. He was very gracious, and we got to talk to him about music and performance, and even a little bit about the podcast. We got our programs signed, and our pictures taken. It was a night to remember.

We would like to thank Brad for his time, Trevor for his talent and the students and staff of UMBC for bringing such a wonderful program right to our backdoor.

  



Sunday, May 10, 2015

Dr. Lettuce: A Mission with 007! - Show Notes

 
The Lettuce Podcast is on a trip to Jamaica to investigate the disappearance of Strangways and his girl! Laura, Tori, and Charlotte sit underneath the mango tree and discuss the first James Bond film, Dr. No, in episode 4. Join in the fun as they critically examine the film and exploit its most confusing plot points. Discussion topics include: the James Bond franchise and how it affected the movie industry, the use of music throughout the film, and the portrayal of women. The girls also investigate several questions raised by the film. Is a tarantula an effective murder weapon? How does one remove radiation from the body? What exactly is Dr. No's motivation? Oh yeah, and there's a dragon!

Laura puts Tori and Charlotte to the test as they compete to win a game called Who Said It: Donald Trump or a James Bond Villain? Then they each create their own Bond Girl name using a formula involving actress' names and fruits. You can find the formula and create your own Bond Girl name here. If you'd like to create a truly dirty Bond Girl name, try here. Leave a comment and lettuce know what you got!



This episode's podsnacks were fancy appetizers that one might receive at a high-roller casino or restaurant. Charlotte provided a selection of olives, pesto & mozzarella pastries, and herbed cheese with crackers. The podtails were martinis (shaken, not stirred by Laura) with a choice of olives or a twist for garnish. For those who don't know, Bond asks for a medium dry vodka martini with a twist. Though this is his signature martini, it is actually improper! True vodka martinis are garnished with olives. Shaking a martini, as opposed to stirring, causes "bruising" in the drink so that the drink appears cloudy instead of its classic clear. The more you know!

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The next episode of The Lettuce Podcast will be a return to the Harry Potter series. Tori will moderate with Charlotte and Laura in tow as The Lettuce Podcast explores Harry Potter and the Prisoner of Azkaban!

Arugalater!

Friday, May 8, 2015

Escarole-Back: Mad Men Series Overview (Season 5)


Season 5! My favorite season of Mad Men! This was the season for which viewers waited nearly 2 years as contracts were negotiated. Though I hated waiting for so long, it ended up being worth my patience. There are so many great storylines and moments in this season. A couple standouts: Megan's "Zou Bisou Bisou", Betty's cancer scare and weight issues, Lane's issue with back taxes and (spoiler alert!) eventual suicide, and Joan's divorce. Don also tells Sally the truth about his identity, past, and Anna. It's a great season that at the same time furthers the developments of the characters and continues to draw them together in interesting ways. My favorite episode from the season features humongous development for two of my favorite characters.

Episode 11: "The Other Woman" 
Joan, Joan, Joan. This was a rough season for Joan. A quick word about her divorce before getting into the episode proper: it's already been well established that Greg sucks. He treats his wife poorly and lies to her. Typical Don Draper stuff, right? But it reaches a whole new level when he commits to a second tour of duty in Vietnam before even coming home from the first. And before consulting with Joan about this choice. This leaves her feeling abandoned with an infant and leads to their divorce, which Greg serves. I will point out- Joan isn't completely innocent in their relationship. After all, the son she is raising is actually Roger's child and Greg is none the wiser. Maybe this is karma?

This episode is the worst of the worst for Joan. A bigwig at Jaguar named Herb (the most appropriate name for a perv) tells Pete and Ken in no uncertain terms that SCDP will lose Jaguar's business unless they can arrange a night for him with Joan. Rightfully, Joan is completely disgusted and offended by the proposal. After a series of arguments and negotiations, Lane uses financial stability for her and her son as a way to convince her to do the deed in exchange for a 5% partnership in the company. He's also looking to increase the financial gains of SCDP in order to deal with his tax problems. And just like that, Joan is literally whored out for Sterling Cooper Draper Pryce. Her evening with Herb seems like a nightmare. He's every bit as gross as you might imagine he'd be.

Don arrives at her apartment to convince her not to go through with it. He's easily the most stand-up and respectable he's ever been as he says he cares more about her than the business. He doesn't want to do business with people that terrible and she shouldn't want to either. Joan is touched by Don's integrity and thanks him for being "one of the good ones", but neglects to tell him she's already slept with Herb. It's so touching to see Don caring for someone so much, as he has a tendency to be incredibly selfish. He's rightfully surprised and disappointed when Joan enters the office for the partners meeting the next morning; he knows that Joan degraded herself. And she does, too. Although it was ultimately her decision to accept the proposal, she was bamboozled by a man to accept the deal. Lane tricked her into thinking he was helping her when he really was trying to help himself. Men in the 1960's, am I right?

What little was left of Joan's dignity is destroyed and her character extremely degraded. The sex appeal she once used smartly as a great asset to both her professional and personal lives has become a currency. It's sad. It's sad because at the same time it both is and is not her fault.

Also in this episode is great development for Peggy. She spends this entire episode basically doing Don's job for him while he deals with all matters concerning Jaguar. Even though Don leaves her "in charge" he steamrolls all of her ideas and insults her work. Oh yeah, and he throws a fistfull of money in her face when she points out he's treating her unfairly. Up until now, Peggy has been willing to take Don's mistreatment because he was instrumental in career development and also helped dig her out the hole she was in after giving birth. All of that seems to have worn off, though. She takes a meeting with Ted Chaough from CGC and accepts a job with his agency. The scene where she tells Don that she's leaving for another agency is just as heartbreaking as watching Joan lose her integrity earlier in the episode. Fortunately, it leaves the viewer with a better feeling. Although Peggy was angry at Don's treatment earlier, she understands that none of this would have been possible had he not taken a chance on her way back when. Don is understandably sad about her departure and does try to counteroffer with a larger salary.  Ultimately, they both understand that this isn't personal. It's a sad, but touching goodbye for them.

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What are your favorite moments from this season? Do you think it's the best one? See you next week for Season 6!

Arugalater!
Laura

Monday, May 4, 2015

Escarole-Back: Mad Men Series Overview (Season 4)


For the last Escarole-back, I passed on reviewing the season's most iconic episode. I did this because I felt that episode had been combed through enough times already and thought a different episode that I love equally would be a better choice. For Season 4, I almost regret to say, I will not be following suit. "The Suitcase" is easily the most widely loved episode in this season. Much like "Shut the Door. Have a Seat.", it has been examined thoroughly and all of its wonder has been discussed. But I can't help myself. I love this episode so much that I just can't pass up the opportunity to comment on it publicly. 

Episode 7: "The Suitcase"
This episode centers around Don and Peggy as they attempt to create a campaign for Samsonite luggage. Don and Peggy's relationship is one of the most beloved aspects of Mad Men. They go through so many ups and downs and this episode might encapsulate their relationship perfectly. In an effort to ignore his heartache over Anna Draper's impending death, Don throws himself headfirst into work. He drags Peggy along with him, who remains by his side even though she is increasingly late for her birthday dinner with her boyfriend. They work through the night and experience several changes in how they view each other.

At first, Peggy is irritated with Don for the aforementioned birthday reasons. Her anger increases as they argue about the Glo-Coat campaign for which Don recently won an award. Their anger with each other culminates when Peggy's boyfriend breaks up with her over the phone because she is more dedicated to work than him. Peggy confronts Don about the way she is treated at work: "You never say "Thank You"!" she screams, to which Don replies "That's what the money is for." I hear you, Peggy! All anyone wants in a job setting is to feel they are valued. Don assumes wages express value, but there is so much more. 

A great and funny scene brings our two heroes back together. Don finds a recording of Roger's memoir and the two laugh over the scandalous information it holds. All I have to say about it is... Miss Blakenship? Who knew!? The way Don and Peggy laugh over the tape is extremely sweet. I think the fact that they can scream at each other one moment and laugh with each other the next shows us that their relationship is special and familial. Both Peggy and Don feel that they have been exiled by their families. They can relate to one another. They find comfort in one another. Their newly restored bond becomes even stronger while they are out to dinner. They discuss the child that Peggy gave away in Season 1 and she confesses that her mother assumes Don is the father as he is the only person who visited her in the hospital. Peggy assures Don that she knows who the real father is, but doesn't tell him it's Pete. Some things are better left unsaid.

Upon the return to the office, there is an altercation with Duck Philips who is accusing Don of stealing Peggy away (In a professional sense. Although Peggy and Duck were doin' it for a while in Season 3). Duck claims he and Peggy were in love, but also calls her a whore (?), which results in an underwhelming fistfight. After Duck has gone, it's Peggy's opportunity to comfort Don. He falls asleep in her lap and dreams of Anna passing through his office with a suitcase. When he wakes up, he knows that Anna is dead. Things get really heavy as he sobs to Peggy, telling her of the great person that was Anna Draper. Not only do we weep along with Don at the loss of the only woman who has ever truly loved him, but our hearts surge as the torch of unconditional love for Don is passed to Peggy. 

Sure, Peggy and Don will go through some more rough spots over the rest of the series. But this episode solidified their relationship for me. Peggy is Don's new support system. She may not have as congenial a personality as Anna, but she does see the good in Don. Even in the closing moments where Don presents his idea for the Samsonite Ad (a reference to the Ali v. Liston boxing match that serves as a backdrop for the whole episode) and Peggy isn't enthused, we see her back down to offer support to a person who is truly in need of it. They may not always see eye to eye, but they will always offer what the other is truly in need of when necessary. They are family.

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Only two more episodes of Mad Men are left! Can you believe it? I'm curious about where Don and Peggy will end up in their relationship. What do you think?

-Laura

Friday, May 1, 2015

Game of Thrones - Charlotte's Vlog Series!


Check out my new vlog series about Game of Thrones! Check back with me week after week for a recap of the most recent episode!